How do you begin to interpret a play without seeing it performed? How do you do so with only the text? THEA 1713 introduces you to the study, structures, and application of dramatic text analysis and interpretation for the actor, designer, technician, and director. Giving you the tools to take a play from the page to the stage.
This course is offered by most theatre departments throughout the state as a lower-division credit, holds the correct course number articulated with other USHE schools, and is a requirement for theatre majors.
Script Analysis is a fundamental skill for all theatrical professionals. All artistic and technical positions rely on examination and interpretation of a play text.
This course is intended to help students develop a system of analyzing and evaluating a script in terms of their theatrical requirements, their aesthetic qualities, and their interpretive potential. Students will explore the interdisciplinary nature of the production process, which includes analysis, interpretation and research.
Learners will discover how to search for playable dramatic values that reveal a central unifying pattern, which shapes a play. Playable dramatic values are defined as those features which motivate directors, designers, and actors in their work including action, character, setting, image, theme, and style. Formalist analysis uses a traditional system of classifications to break up a play into its parts in order to understand these values, their nature and relationship.
Students will also investigate a range of other forms of analysis including (but not limited to); textual, historical, psychological, mythological, biographical, moral and philosophical, archetypal, feminist, structuralism, and rhetorical, to grasp a play’s meaning and put it to use.
Learners will demonstrate their proficiency of their methods through quizzes, exams, and group projects throughout the semester.
Students will be required to read selected representative plays. Such plays could include but not be limited to:
• Antigone, by Sophocles
• Hamlet, by William Shakespeare
• The Glass Menagerie, by Tennessee Williams
• Fences, by August Wilson
• Last Days of Judas Iscariot, by Stephen Adly Guirgis
This class will encourage and accommodate a wide variety of approaches, source materials, and cultural lenses.